towards light...
and keep twisting and spinning their way towards the life sustaining source of light...
'Yellow Tulips I', 1988, acrylic on paper, 22 x 30 inch, 56 x 76 cm
'Yellow Tulips II', 1988, acrylic on paper, 22 x 30 inch, 56 x 76 cm
And we may notice when, noiselessly petals are dropping...
changing the composition* of the still-life again and again.
*This can cause a problem for the still-life painter unless s/he works fas
'Last Poppy', 1996, acrylic on paper, 30 3/4 x 45 inch, 78 x 114 cm
t.
"Red Poppy - Falling Petals", 1988, acryllic on paper,
22 x 30 inch, 56 x 76 cm, serie of three drawings
'Anemones', 1990, acrylic on paper, 19 1/2 x 25 1/2 inch, 50 x 65 cm
If one's inner artist is alive s/he will notice these marginal changes.
Thinking about 'alive', even shapes
can...
© PietLeutsch